Justine Triet’s “Anatomy of a Fall” won the Palme d’Or at the 76th Cannes Film Festival in an event Saturday that handed the celebration’s prominent leading reward to a twisty French Alps courtroom drama.
“Anatomy of a Fall,” which stars Sandra Hüller as an author attempting to show her innocence in her spouse’s death, is just the 3rd movie directed by a female to win the Palme d’Or. One of the 2 previous winners, Julia Ducournau, was on this year’s jury.
Cannes’ Grand Prix, its 2nd reward, went to Jonathan Glazer’s “The Zone of Interest,” a cooling Martin Amis adjustment about a German household living next door to Auschwitz.
The awards were chosen by a jury commanded by two-time Palme winner Ruben Östlund, the Swedish director who won the reward in 2015 for “The Triangle of Sadness.” The event preceded the celebration’s closing night movie, the Pixar animation “Elemental.”
The jury reward when to Finnish director Aki Kaurismäki’s “Fallen Leaves,” a deadpan romance about a love that flowers in a loveless workaday world where dispatches from the war in Ukraine routinely use the radio.
Best star went to veteran Japanese star Koji Yakusho, who plays a reflective, middle-aged Tokyo male who cleans up toilets in Wim Wenders’ “Perfect Days.” Wenders’ movie is a mild, quotidian character research study.
The Turkish star Merve Dizdar took finest starlet for the Nuri Bilge Ceylan’s “About Dry Grasses.” Ceylan’s extensive tale is embeded in snowy eastern Anatolia about an instructor, Samet (Deniz Celiloğlu), implicated of misbehavior by a young female trainee. Dizdar plays as a good friend both brought in and fended off by Samet.
“The character I potray in the film is someone who is fighting for her life and she’s overcome a lot of difficulties. Under normal circumstances, I would have had to work hard on this character,” stated Dizdar.
“I understand what it’s like to be a woman in this area of the country,” she continued. “I would like to dedicate this prize to all the women who are fighting to exist and overcome difficulties in this world and to retrain hope.”
Vietnamese-French director Tràn Anh Hùng took finest director for “Pot-au-Feu,” a rich, foodie romance starring Juliette Binoche and Benoît Magimel and embeded in a 19th century French premium château.
Best movie script was won by Yuji Sakamoto for “Monster.” Sakamoto penned Japanese director Hirokazu Kore-eda’s nuanced drama, with moving point of views, about 2 kids having a hard time for approval in their school in your home. “Monster” likewise won the Queer Palm, an honor bestowed by reporters for the celebration’s greatest LGBTQ-themed movie.
Quentin Tarantino, who won Cannes’ leading award for “Pulp Fiction,” went to the event to provide a homage to filmmaker Roger Corman. Tarantino applauded Corman for filling him and many spectators with “unadulterated cinema pleasure.”
“My cinema is inhibited, full of excess and fun,” stated Corman, the independent movie radical. “I feel like this what Cannes is about.”
The celebration’s Un Certain Regard area distributed its awards on Friday, providing the leading reward to Molly Manning Walker’s launching function, “How to Have Sex.”
Saturday’s event drew to close a Cannes edition that hasn’t did not have phenomenon, stars or debate.
The greatest wattage premieres came out of competitors. Martin Scorsese debuted his Osage murders legendary “Killers of the Flower Moon,” a vast vision of American exploitation with Leonardo DiCaprio and Lily Gladstone. “Indiana Jones and the Dial of Destiny,” Harrison Ford’s Indy goodbye, introduced with a homage to Ford. Wes Anderson premiered “Asteroid City.”
The celebration opened on a note of debate. “Jeanne du Barry,” a duration drama co-starring Johnny Depp as Louis XV, played as the opening night movie. The best significant Depp’s greatest profile look considering that the conclusion of his explosive trial in 2015 with ex-wife Amber Heard.
The choice of “Jeanne du Barry” contributed to criticisms of Cannes for being too congenial to males implicated of violent habits.