Ed Sheeran beats 2nd copyright claim over ‘Thinking Out Loud’ By Reuters

© Reuters. SUBMIT IMAGE: Singer Ed Sheeran talks to the media, after his copyright trial at Manhattan federal court, in New York City, U.S., May 4, 2023. REUTERS/Shannon Stapleton//File Photo

(Corrects paragraph 6 to state that choice was released on Tuesday)

By Blake Brittain

(Reuters) -British singer-songwriter Ed Sheeran on Tuesday beat a 2nd copyright claim in federal court in Manhattan over resemblances in between his hit “Thinking Out Loud” and Marvin Gaye’s “Let’s Get It On.”

U.S. District Judge Louis Stanton dismissed the case brought by Structured Asset Sales LLC, ruling that the parts of “Let’s Get It On” Sheeran was implicated of infringing were too typical for copyright security.

Sheeran won a different jury trial over the tunes in the very same court previously this month.

Stanton commanded both cases, which worried co-writer Ed Townsend’s share of Gaye’s 1973 classic. Townsend’s successors stopped working to persuade jurors that Sheeran infringed their part of Townsend’s copyright in the tune.

Structured Asset Sales is owned by financial investment lender and “Bowie Bonds” developer David Pullman, and it owns part of Townsend’s interest in “Let’s Get It On.” It taken legal action against Sheeran, his label Warner Music Group and his music publisher Sony (NYSE:) Music Publishing in 2018 after Townsend’s successors submitted their claim.

Stanton on Tuesday discovered that the mix of chord development and harmonic rhythm in Gaye’s tune was a “basic musical building block” that was too typical to benefit copyright security.

Sheeran’s lawyer Ilene Farkas called the choice “an important victory not only for Ed” and partner Amy Wadge, “but for all songwriters and consumers of music.”

Structured Asset Sales has actually submitted another claim versus Sheeran based upon its rights to Gaye’s recording, which is still pending.

Pullman informed Reuters that the jury because case will get to hear the recording of “Let’s Get It On,” rather than the electronic performance of the tune’s sheet music from the Townsend trial.

“Their biggest fear, in terms of everything they’ve filed, has been to prevent the sound recording from coming in,” Pullman stated.


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